「十八有藝—元朗社區演藝計劃」《人聲放送2》無伴奏合唱計劃：《Together》（無伴奏合唱版）
一舖清唱 Yat Po Singers
music video/ 05'55"/ 2024
position: director of photographey
Mill MILK
documentary, commercial/ 16'23"/ 2024
position: photographer
700萬種生活 - 長沙灣有條巷曾經充滿垃圾 靠居民合力大翻新
Mill MILK
documentary, commercial/ 15'33"/ 2023
position: photographer, editor
700萬種生活 - 裝修師傅50萬買屋 花400萬裝修 30年來不停裝修改造
Mill MILK
documentary, commercial/ 21'24"/ 2023
position: photographer, editor
美國會計師為父回流接手深水埗大排檔
Mill MILK
documentary, commercial/ 22'20"/ 2023
position: photographer
The artist from UST alumni
The Hong Kong University of Science and Technology
commercial/ 3'23"/ 2022
position: photographer, editor
The Chinese University of Hong Kong
documentary, commercial/ 5'27"/2021
position: director, photographer, editor
人類學，是關於多元和差異，還是溝通與共識？
來自不同地域、背景與行業，我們如何從自身的經驗出發，
又在學習人類學的過程中，了解與反思？
如果，我們能在校園散步，能談談……
Is anthropology about difference and diversity, or communication and consensus?
Coming from different places and backgrounds,
how do we start from and also reflect on our own lived experiences,
as we study anthropology?
Let’s still walk and talk, shall we?
線上教學在人類學系
Teaching and Learning Online, Anthropologically Speaking
The Chinese University of Hong Kong
commercial/ 3'05"/ 2021
position: director, photographer, editor
「當天氣不似預期……」
從線上教學、到混合模式、再回到面授課堂；
從手忙腳亂的適應，到積累經驗的調整。
在這段時間裡，人類學系的老師與同學們，
如何在充滿變動的不確定性之中，共同嘗試、學習與反思？
“So many people say, ‘We are all in the same boat, we are all in the same boat’,
and I was like… No, this is a better way of saying it,
‘We are actually all in the same storm.’”
How can we make it possible to keep connected with each other,
in a world of social distancing and societal uncertainties?
「亞洲新銳電影的製作生態」香港新導演訪談
New Cinema Collective,
The Emerging Power of Asian Cinema,
Interviewing New Directors from Hong Kong
平地映社
Ground Up Film Society
interview/ 4'10"/ 2021
position: photographer, editor
鐘表業新常態 - 製造篇
The New Wave
香港鐘表業總會
Federation of Hong Kong Watch Trades and Industries Ltd
commercial/ 1'45"/ 2020
position: director, photographer, editor
鐘表業新常態 - 零售篇
The New Wave
香港鐘表業總會
Federation of Hong Kong Watch Trades and Industries Ltd
commercial/ 1'37"/ 2020
position: director, photographer, editor
相處的藝術：麥浚龍
ELLE MEN
commerical/ 3'05"/ 2019
position: director, photographer, editor
相處的藝術：謝安琪
ELLE HK
commerical/ 1'58"/ 2019
position: director, photographer, editor
相濡以沫
五元兔 5 Dollar Tux
music video/ 5'05"/ 2019
position: director, editor
《莊子。大宗師》
「泉涸，魚相與處於陸，相呴以濕，相濡以沫，不如相忘於江湖。」
活在泉水乾涸的城市，你我適者生存，
相濡以沫於世，此為道。
我們如此相近，
我們如此相隔。
霓虹燈下是失真的光影，我只需要彼此的聲音。
「共創回收工作手推車」計劃
Co-design Project - Iron Trolley for Cardboard Recycling
理大賽馬會社創「騷‧In ‧ 廬」
Hong Kong Polytechnic University "Operation SoInno"
documentary, commercial/ 3'15"/ 2019
position: photographer
香港不少基層長者在社區從事拾荒，自食其力幫補生計之餘，
亦為環保回收工作而作出重大貢獻。
然而，他們亦往往是被社會忽略的一群。
香港理工大學賽馬會社會創新設計院開展的理大賽馬會社創「騷‧In‧廬」計劃，
以「關懷長者就業」為主題，其中一個「社創行動項目」，
便是集合社會各方之力，
按拾荒長者的實際需要，改良回收工作手推車設計，
以協助拾荒長者減少工作勞損，
提高工作時的安全，確保工作的尊嚴。
Many grassroots elders in Hong Kong are engaged in waste picking for meager income in order to survival in the community. They make significant contributions to waste recycling but they are generally neglected by the society.
“Co-designingan Iron Trolley for Cardboards Recycling” is one of the Action Projects of “PolyU Jockey Club ‘Operation SOINNO’ Season 2 Programme “Empathising Elderly in Workplace”. The aim of the project is to pool together efforts from different parties to re-design the work trolley used by waste pickers in order to reduce their work strain, increase their work safety and upholding their dignity.
documentary/ 25'20"/ 2018
position: photographer
這次社區藝術活動旨在以藝術創作的方式，凝聚跨族裔、跨世代的友誼。從此，有關社會包容／排斥的議題，得以在藝術及文化的參與過程之中探討。十多位香港出生的本地華人與少數族裔青年，以及十多位在藝術空間所置的土瓜灣區居住的長者，以親手與歡樂，創作出連結他們家庭回憶、移民、鄰舍變遷，以至日常歧視的視覺藝術作品。這次活動由香港浸會大學與1a空間共同策劃，馮漢柱基金資助，邀請到一眾本地藝術家（楊秀卓、余淑培、葉惠龍）提供指引與實踐。其後，活動的藝術成果，以由陳錦榮與何建宗策展的展覽展示。
This community art project aims to invite and form inter-ethnic and inter-generational friendship for the purpose of making art together. Through it, questions of social inclusion/exclusion were explored through art and cultural participation. A dozen Hong Kong-born local Chinese and ethnic minority youth, along with half a dozen senior citizens living near an art space in Ngau Tau Kok, joined hands, amidst laughter, to use creative visual arts to connect to their family memories, migration, neighborhood changes, and even everyday discrimination. Initiated by Hong Kong Baptist University and 1a Space, and with funding from the Fung Hon Chu Foundation, the project invited Hong Kong artists (Ricky Yeung Sau Churk, Yu Shuk Pui Bobby, and Ip Wai Lung) to provide guided practice. The art works made were later presented in an exhibition curated by John Erni and Louis Ho. (A commissioned documentary project by Hong Kong Baptist University)